This is a painting I did with the Vistas and Vinyards group. It is on Arches hot press paper. I did th sketch and about half of the painting on site. Then finished it in my studio the next day. I am pleased with the contrast and the focus on the city of Newport partially hidden by the bridge. The bridge was done with a combination of an Ink wash and Indigo paint.
This is a painting I did of James Kirk from a photo that I took of him in his studio. It is on Arches hot press paper, and painted with a limited pallett. The painting is perminantly mounted on a wood frame and waxed. I used a lot of water to get water marks and splashes to loosten it up. This is my effort to paint in Kirk's style. I am very pleased with the results.
This is a limited pallett painting that I did at Clear Lake, which is the headwaters of the mackenzie River. I did a quick sketch on site and then since it was not a day to do watercolors on site, I finished the painting in my room at the lodge at Suttle Lake. I was pleased with the softness and atmospheric perspective.
This is a coffee shop that My wife and I go to while vacationing in LaQuinta Ca. I did a sketch on site, then finished the painting in my studio. It is a little washed-out. I will probably add some additional contrast to get the feeling of a hot morning sun.
This is a painting of a lady that was attending James Kirks open studio. She agreed to pose for a picture. I did not use any miskit. Just painted shapes. I was pleased with the hair and background.
This is a train that is in Avery Park in Corvallis. I painted it on site with just a loose sketch and tried to paint shapes an no so much focus on the details. I was pleased with the results.
This is a painting that I did from a model in Lynn Powers studio. I am pleased with the hard and lost edges, splatter and lost areas. It was in a WSO show.
This is a 30" x 40" watercolor painting on Arches hot press paper. It was in a WSO Show. I was pleased with the contrast. The skirt could have been more painterly. Biggest painting I have done.
This is a painting that I did on site with the Vistas and Vinyards group. I did the sketch on site and about 1/2 of the painting. The remainder I did from several photo's in my studio. I was pleased with the appearance of detail without being too detailed. I could have worked on the design more.
This is a painting done on site at the Basket Slough near Salem. I was pleased with the feeling of oak trees on the hillsides. I was also pleased with the thistles in the foreground. I could have gotten more contrast in the painting.
I spe nt 37 years in Corvallis as a structural engineer, using the left side of my brain and neglecting the right side. I retired in 2006, and started exploring the right side, with sketching and watercolors.
I have taken watercolor classes from Mark Allison, and LaVonne Tarbox-Crone. In addition, I have taken watercolor workshops from Ted Nuttal, Donna Zagotta, and Arnie Westerman, and am currently painting weekly with James Kirk.
I am a member of:
Corvallis Art Guild
Watercolor Society of Oregon
And an Associate Member of:
National Watercolor Society
Ameroican Watercolor Society